152,132 research outputs found
Ali, F G, VX19095
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/368160Surname: ALI
Given Name(s) or Initials: F G
Military Service Number or Last Known Location: VX19095
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 10990178206
Item: [2016.0049.00491] "Ali, F G, VX19095
Ibn Jinni's Role And Contributions To Arabic Semantics [PJ6184. R165 2007 f rb].
No full textKajian ini menganalisis peranan dan sumbangan Ibn Jinni terhadap semantik Arab melalui tinjauan idea-idea dan pandangan-pandangannya yang terdapat dalam buku-bukunya seperti, “al-Muhtasab” – Perbendaharaan -, “al-Hasais” –
Yang Tertentu -, dan “al-Munsif” – Manusia yang Adil. Kajian ini juga membincangkan pandangan dan idea Ibn Jinni terhadap isu-isu tertentu tentang semantik, seperti semantik sosial, semantik morfologi, semantik fonetik, dan
semantik tatabahasa.
This study analyzes Ibn Jinni’s role and contribution to Arabic semantics by surveying his ideas and opinions presented in his books, such as “al Muhtasab”- The Treasurer-, “al-Hasa’is”-The Particularity-, and “al- Munsif”-The Just Man. It discusses Ibn Jinni’s opinions on certain issues of semantics, such as, social semantics, morphological semantics, phonetic semantics, and grammatical semantics
La hiérocratie shi'ite et Ali Shariati
No full textHamed F. La hiérocratie shi'ite et Ali Shariati. In: CEMOTI, n°14, 1992. L'émergence du monde turco-persan. pp. 79-111
An analytical study of the theatre of the Syrian playwright Saadallah Wannous, with particular emphasis on the plays written after the 1967 war
No full textThis study is an examination of the life and work of
the Syrian dramatist Saadallah Wannous (1941-1997). Wannous's name is virtually unknown in the West; only two academic studies of any significance have appeared in English on this eminent and challenging writer, who was honoured by UNESCO at the end of his life. Even in the Arab world his standing rests largely upon his celebrity as a cultural icon, since professional performances of his plays are rare due to the decline of the theatre in the region, and little attention has been devoted to theatre studies by Arab academics. The two studies in English do not attempt to be comprehensive but focus on particular stages of Wannous's career. This study is, therefore, the first to encompass the full range of Wannous's work. To do so it combines an account of his life which seeks to comprehend the various forces that shaped his thinking with an analysis of his dramatic works. The study concentrates on the plays written in the years following the trauma inflicted on the Arab world by the catastrophe of their
defeat in the Arab-Israeli war of June, 1967. Wannous's career can be divided into three phases: the immature plays of his young manhood which are influenced by European models and generally focus on the social condition of the individual; his middle period - the `theatre of politicisation', when his Marxist politics were the main
factor shaping his drama; and his late works, which are characterised by an extraordinary freedom of thought and expression. The introduction places Wannous in his historical and sociocultural context and provides a brief background explaining the literary and theatrical traditions of the Arab world that influenced his activity as a dramatist. Each phase is then examined in turn and the plays are analysed in accordance with the focus of the study. This means that emphasis is given to the middle period,
but no significant work is neglected. The study aims to trace the trajectory of Wannous's development using a
variety of sources: the plays themselves, Wannous's own journalism and critical writings, interviews with his widow, his friends and colleagues, and numerous
journals, books and articles, some of which contain
important interviews with Wannous that shed light on his thought and ways of working. Use is also made of the
two studies mentioned above. The study shows that Wannous's theatre was influenced by the key political, social and cultural developments of his time, and that he
constantly sought to find forms that would express those transformations in dramatic terms
Family altruism and incentives
No full textThe author builds on the altruistic model of the family, to explore the strategic interaction between altruistic parents, and selfish children, when children's efforts are endogenous. If there is uncertainty about the amount of income the children will realize, and if parents have imperfect information, the children have an incentive to exert little effort, and to rely on their parent's altruistically motivated transfers. Because of this, parents face a tradeoff between the insurance that bequests implicitly provide their children, and the disincentive to work prompted by their altruism. The author shows that if parents can credibly commit to a pattern of transfers, they will choose not to compensate children in bad outcomes, as much as predicted by the standard (no uncertainty, no asymmetric information) dynastic model of the family. Alternatively, parents may choose to forgo any insurance, and offer a fixed level of bequest, to elicit greater effort from their children. The optimal transfers structure that the author derives, reconciles the predictions of the altruistic family model, with much of the existing evidence on inter-generational transfers, which suggests that parents compensate only partially, or not at all, for earnings differentials among their children. Moreover, the author shows that Ricardian equivalence holds in this setup, except when non-negativity constraints are binding.Economic Theory&Research,Environmental Economics&Policies,Health Economics&Finance,Educational Sciences,Safety Nets and Transfers
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
F. Sebîl Kaïtbaï
No full textBahgat Ali, Herz Max. F. Sebîl Kaïtbaï. In: Comité de Conservation des Monuments de l'Art Arabe. Fascicule 19, exercice 1902, 1902. p. 80
A violent origin : a Girardian analysis of the scapegoating of Ali ibn Abu Talib in Shi'ite tradition
No full textIncludes abstract.Includes bibliographical references (leaves 182-192).This dissertation applies Rene Girard's theory of the scapegoat mechanism to prove that Ali ibn Abu Talib appears in Shi'ite traditions as an innocent victim. The aim is to investigate Girard's substantial body of work to determine whether Ali was a scapegoat and a victim of a conspiracy within his community. Girard's theory is founded in mimetic desire, where he incorporated external and internal mediation to form an analysis of mimetic rivalry. Using various texts to develop his theory and support his concepts, he investigated Aristotle, Plato, Stendhal, Proust, Shakespeare and Freud. He developed his theory from the interaction between friends to the incorporation of an object of desire to form the 'French triangle'. He moved from investigating this 'triangle' in personal relationships to conspiracies and subsequently to communities with regard to primitive religions. It was in the discovery of the sacred victim that Girard recognized the purpose of myth, that it concealed the role of the persecutors and that it silenced the victim. Girard then transferred his deductions to analyzing the Bible, where he identified ways in which the text gave the victim a voice. He maintains that only Jesus supported a non-violent position and embraced positive mimetic desire in the form of imitating the love of God. In reviewing Ali's life, one discovers that it reveals Girard's concepts of mimetic rivalry, conspiracy and collective violence. There is the historical Ali and the divine Imam Ali. These two positions can be reconciled by following a constitutive reductionist method for the purpose of analysis in applying the scapegoat mechanism theory. Reductionism is useful and necessary for this study. While the historical Ali reveals a victim, the divine Ali takes responsibility for his own death. The historical and the divine reveal two perspectives in relating Ali's story, one from the victim's perspective and the other from the perspective of the persecutors. However, with respect to the scapegoat mechanism, Shi'ite traditions about Ali, inclusive of historical, popular, or ghulat traditions, show that Jesus was not the only victim to reveal his innocence and embrace non-violence for positive mimesis. Rather, Ali goes further in rejecting materialism to avoid envy, encouraging his community to witness his poverty. Without the distraction of material things, Ali could demonstrate God's love. While Girard claimed that Christianity, particularly the gospels, revealed the victim's innocence in Jesus Christ, Ali brings forth a similar message of imitating the love of God. Like Jesus, he revealed that God was a loving and forgiving God; he was not an angry God that demanded sacrifice
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