3 research outputs found
TREATMENT RESULTS OF PATIENTS WITH FRACTURE-DISLOCATION OF THE FOREARM BONES
No full textPurpose of the study: to analyze the treatment results of fracture dislocations of the forearm bones.
Materials and research methods. In the traumatology department of the KP “Dnepropetrovsk Regional Clinical Hospital named after I.I. Mechnikov "DOR" 63 patients with fracture dislocations of the proximal forearm bones has been trested from 2016 to 2020. Taking into account the peculiarities of damage to the stability components of the elbow joint, all patients were divided into 3 groups depending on the type of damage to various anatomical stabilizers of the elbow joint: dislocation fractures of the Monteggi type, fractures of Malgene dislocation (through-olecranial fractures), “terrible triad”.
Results. In the Monteggi fracture dislocation group (n = 24), excellent and good long-term functional results in 16.7% and 45.8% of patients, respectively, satisfactory - in 20.8% and unsatisfactory - in 16.7%. In the Malgeny fracture dislocation group, the majority of patients had excellent and good results - 14 (87.5%), satisfactory - in 2 (12.5%), there were no unsatisfactory results. In the group "terrible triad of the elbow joint" excellent results were obtained in 3 cases (15.8%), good - in 7 (36.8%), satisfactory - in 4 (21.1%), and unsatisfactory - in 5 (26 , 3%).
Conclusions. Stable-functional osteosynthesis with the restoration of bone and soft tissue stabilizers of the elbow joint, with the possibility of active early restoration of the function of the elbow joint, help to reduce the period of disability and give positive results in 84.7% of patients
Dialogue as a Literary Concept
No full textThis article is devoted to the consideration of the concept of “dialogue” as a literary phenomenon. It provides different options for using the concept of “dialogue” in different contexts, such as dialogue of cultures, timeless dialogue between authors and their texts (intertextuality), as well as the dialogue between the author and the reader through the text of a work of art and the dialogue between the reader and the text. The various meanings of the above term are revealed, for example, interaction and interpenetration of different cultures, a reflection of socio-cultural changes in society and the country by the authors of works, dialogues of characters as an element of artistic speech, and composition of a work. At the same time, it is noted that dialogue as a form of artistic speech performs its functions in each literary genus, and each has its own characteristics. This article is based on the study of opinions on the essence of the dialogue of such famous literary scholars of the past as M. Bakhtin, R. Barth, G. Bloom, as well as the works of modern scientists A. Valipur, V. Domansky, M. Krongauz, and A. Smolina. When writing the article, the cultural-historical, historical-theoretical method, the method of comparative studies, and the method of hermeneutics were used. As a result of the research carried out, a conclusion was made about the versatility and scale of the concept of “dialogue” in literary criticism, as well as the importance and necessity of analyzing dialogue from various angles. This article can be used by students-philologists in preparation for practical classes within the discipline “Theory of Literature”, as well as when writing term papers, final qualification works, and master's theses in literature; language teachers can rely on the material of the article when preparing for literature lessons at school
Actualization of the Archetypal Meanings of ‘Stone’ in Karachay-Balkar Folklore
No full textThe theory of archetypes has well been developed in works of many foreign and Russian scholars: C.G. Jung, Yu.V. Domansky, E.M. Meletinsky, V.A. Markov, A.A. Kolesnikov, M.A. Khakuasheva and others. At the present stage, it is essential to study the key archetypes - with evidence from ethno-cultural materials - for the understanding of ‘logos’ and ‘voice’ of different peoples worldwide. The article considers the central archetypal image of Karachay-Balkar culture - ‘stone’ - in the composite context of all its mythopoetic meanings. Proceeding from the premise that the rocky mountainous ethnolandscape and the key archetype are closely interrelated, the author considers the status of stone in the material culture of North Caucasian highlanders in the fi rst part of the paper, namely: stone houses, fences, millstones, fortresses, ovens, grindstones, amulets, prayer rugs, press stones, astronomical calendars, measure of surface, divination objects, sports equipment, talismans, healing stones, grave-stones, etc. A special group of stones are those used in folk games. In common, ethnographers distinguish about 250 stone-denoting words in the Karachay-Balkar language. The second part of the research deals with the key archetypal meanings of stone in the Karachay-Balkar epic - The Narts - which is the main epic monument of the Balkar and Karachay people. Here, too, the concept of ‘stone’ occupies an important place defi ning all levels of the practical and spiritual life of the highlander. According to the epic, the fi rst man had been placed into the core of a blue meteorite stone and, thus, came down from the sky. In another signifi cant episode, the hero fi lls caldrons of infernal forces with stones instead of food, thereby expressing the emerging spiritual independence of the Narts. The motif of birth from stone can be found in folklore of some peoples worldwide; but the motif of fertilization of a stone is unique and is absent in other myths. The Nart hero Sosuruk had been born from stone and after death also turned into stone. The list of ‘stone’ motifs comprises the ones as follows: ‘stone divination’, ‘stone as a measure of honor and dignity of a person’, ‘stone as a way of learning the world’, ‘stone as a creation of a solid culture from unstable elements’. The motif of ‘patience’ plays an important role in the value system of North Caucasian highlanders. In many fairy tales and legends there are characters with stones attached to their feet, sometimes millstones, symbolizing both patience and the secret high-speed energy of a person. When reading the Nart sagas, all the listed ‘stone’ images and motifs - such as the cradle of the fi rst man, stone informative books, a chaos-conquering fi rmament (stone as a means to learn the world), the code of human attachment to the native land - should be perceived in a semantic unity. The main folklore ‘stone’ motifs are widely and creatively applied in literary works by Karachay and Balkar professional authors
