3,589 research outputs found
Medicina illuminata. La Biblioteca Lancisiana di Roma
No full textL'articolo presenta i codici miniati della Biblioteca Lancisiana di Roma. La prima parte, del coautore, è dedicata alla Biblioteca. La seconda parte, di F. Manzari, tratta dei manoscritti miniati, costituiti da due codici con le opere di Avicenna e dal Liber fraternitatis della Confraternita dell'Ospedale di Santo Spirito in Sassia a Roma.The article introduces the illuminated manuscripts of the Biblioteca Lancisiana in Rome. The first part of the article, by the co-author, is dedicated to the Library. The second part, by Francesca Manzari, illustrates the manuscipts; these are two manuscripts with the works of Avicenna and the Liber fraternitatis of the Confraternity of the Hospital of Santo Spirito in Sassia in Rome
Illuminare l'Abruzzo : codici miniati tra Medioevo e Rinascimento, a c. di G. Curzi, F. Manzari, F. Tentarelli, A. Tomei.
No full textIl catalogo della mostra, curato dall’autore con altri colleghi dell’università di Chieti, costituisce un repertorio della produzione miniata realizzata in Abruzzo nell’arco del Medioevo e del Rinascimento. Basato su un censimento capillare del materiale conservato nella regione e su uno spoglio selettivo del materiale conservato nelle più importanti biblioteche europee ed extra-europee, il catalogo costituisce uno strumento fondamentale per l’indagine sulla miniatura nell’Italia centraleThe catalogue of the exhibition, edited by the author with other colleagues from the university of Chieti, is a repertory of the illuminated manuscripts produced in the Abruzzi in the Middle Ages and Renaissance. Based on a systematic survey of the material still present in the area and on a selective research on the manuscripts kept in the main libraries in Europe and abroad, the catalogue is an essential instrument for further investigations on illumination in central Ital
Un foglio miniato alla Biblioteca Casanatense. Una nuova opera dell’ambito del Maestro della Bibbia di Corradino
No full textThe article introduces a previously unknown leaf from a thirteenth-century Antiphonary, recently acquired by the Italian State because of its relevance in the historical context of Medieval Italy. In the first part of the article, Ilaria Vercillo, outlines the acquisition process and identifies the text as the incipit of the feast of St. Mary Magdalen. In the second part, Francesca Manzari discusses her attribution of the illuminated initial to the workshop of the Master of the Conradin Bible, placing the leaf in the context of a dispersed Antiphonary by this workshop and reconstructing the original liturgical sequence of the surviving fragments of this richly illuminated multi-volume liturgical book
Un libro de horas iluminado para Alfonso de Borja : influencia de los grabados alemanes en la miniaturade la Corona de Aragon a mediados del siglo 14. / Francesca Manzari.
No full textIl saggio ricostruisce il contesto di produzione di un raro esempio di libro d’ore valenziano della metà del Quattrocento, indagando a fondo i diversi aspetti del raffinato manufatto. Il repertorio decorativo secondario viene ricondotto alla produzione valenziana, mentre le carte incipitarie maggiori, dotate di straordinarie ma inusuali bordure miniate, vengono spiegate identificandone i modelli nella carte da gioco prodotte da un proto-incisore tedesco, spesso utilizzato come repertorio di modelli anche in ambito fiammingo. L’identificazione di un ritratto del destinatario e del suo nome, Alfonso, insieme all’indagine “archeologica” sulle tracce di fogli perduti hanno permesso di proporre Alfonso Borgia, quale committente, alla metà del secolo, prima della sua elezione come papa Callisto IIIThe essay reconstructs the context of production of a rare example of Valencian Book of Hours from the mid-15th century, investigating in-depth the different features of the elegant artefact. The secondary decorative repertory is linked with the illuminated production at Valencia, while the major incipit pages, with extraordinary but unusual illuminated borders, are explained identifying their models in the printed playing cards produced by a German engraver; these were used as model books especially in Flanders. The identification of the owner’s portrait and name, Alfonso, together with the “archeological” analysis of the traces of lost leaves, have enabled the author to propose Alfonso Borgia as the patron, dating the book to the middle of the century, before his election as pope Callixtus II
Crescentaleyrodes fumipennis Manzari & Quicke 2006, comb. n.
No full textCrescentaleyrodes fumipennis (Hempel) comb. n. Aleurodes fumipennis Hempel, 1899. Syntypes, Brazil: São Paulo [not examined]. Aleurotrachelus fumipennis (Hempel) Quaintance & Baker, 1914. Material examined: Brazil: Mato Grosso, 25.iii.1968, (O.W. Richards), ex: undetermined grass (2 slides). Comments: as already mentioned in detail, the redescription and illustrations provided by Bondar (1923) as well as the specimens examined, clearly indicate the appropriate inclusion of this species in Crescentaleyrodes. This species is very close to C. paulianae (Cohic) and maybe they are synonym, but this need to check the type material of the latter species. The specimens of C. paulianae studied for this study were from the same locality and host plant of type materials and showed slightly differences from C. fumipennis.Published as part of Manzari, Shahab & Quicke, Donald L. J., 2006, A cladistic analysis of whiteflies, subfamily Aleyrodinae (Hemiptera: Sternorrhyncha: Aleyrodidae), pp. 2423-2554 in Journal of Natural History 40 (44 - 46) on page 2472, DOI: 10.1080/00222930601121890, http://zenodo.org/record/523048
Tarsonemus Gheblealivand & Irani-Nejad & Magowski & Manzari 2018, s. str.
No full textSubgenus Tarsonemus s. str. Type species: Tarsonemus (= Chironemus) minusculus (Canestrini and Fanzago, 1876) by monotypy.Published as part of Gheblealivand, Saeide S., Irani-Nejad, Karim Haddad, Magowski, Wojciech Ł. & Manzari, Shahab, 2018, The genus Tarsonemus Canestrini and Fanzago, 1876 (Acari: Heterostigmatina: Tarsonemidae) in East Azerbaijan, Iran, with a description of T. lenticulatus sp. nov. and re-description of T. annotatus Livshits, Mitrofanov and Sharonov, 1979, pp. 13-38 in Zootaxa 4446 (1) on page 15, DOI: 10.11646/zootaxa.4446.1.2, http://zenodo.org/record/143734
Buckleria negotiosus Alipanah & Gielis & Sari & Sarafrazi & Manzari 2011
No full text<i>BUCKLERIA NEGOTIOSUS</i> (MEYRICK, 1926) COMB. NOV. <p> <i>Trichoptilus negotiosus</i> Meyrick, 1926: 325. <i>Buckleria vanderwolfi</i> Gielis, 2008: 49. <b>syn. nov.</b></p> <p> <i>Material examined: Trichoptilus negotiosus</i>: 1 male (Holotype), Republic of South Africa (RSA), White River, Wellington, 1500′, xi.1922, leg. K. H. Barnard [genitalia preparation SAMC VK105, coll. South African Museum Cape Town (SAMC), RSA]. <i>Buckleria vanderwolfi</i>: 1 male (Holotype), RSA, Cape Prov., Tsitsikamma National Park, Storms River Mouth, 17.–18.ii.1995, leg. H.W. VD Wolf (genitalia preparation CG 2973, coll. CG 22035).</p> <p> <i>Comments: Trichoptilus negotiosus</i> was excluded from the analyses owing to the lack of sufficient specimens, but the study of the holotype (male) of this species and <i>B. vanderwolfi</i> by the second author revealed that they were conspecific considering both morphological and genitalia characters. Therefore, here we consider <i>B. vanderwolfi</i> as a junior synonym of <i>T. negotiosus</i>. Additionally, because of the close resemblance of <i>T. negotiosus</i> to the <i>Buckleria</i> species, it is here transferred to the latter genus as a new combination.</p>Published as part of <i>Alipanah, Helen, Gielis, Cees, Sari, Alireza, Sarafrazi, Alimorad & Manzari, Shahab, 2011, Phylogenetic relationships in the tribe Oxyptilini (Lepidoptera, Pterophoridae, Pterophorinae) based on morphological data of adults, pp. 484-547 in Zoological Journal of the Linnean Society 163 (2)</i> on pages 529-530, DOI: 10.1111/j.1096-3642.2011.00705.x, <a href="http://zenodo.org/record/5441448">http://zenodo.org/record/5441448</a>
Codice Vittorio Emanuele 411 : Bonaventura da Bagnoregio, Legenda maior Sancti Francisci
No full textScheda storico-critica e descrittiva di un raro esempio di Legenda Maior riccamente illustrata. L’autore sottolinea come il manoscritto è stato impostato come un libro devozionale per una destinataria e aristocraticaEntry with art-historical presentation and description of a rare example of richly illuminated Legenda Maior. The author underlines how the book was produced for a lay and aristocratic female patro
Presenze di miniatori e codici miniati nella Roma del Trecento
No full textIl saggio ricostruisce il contesto romano nel XIV secolo dal punto di vista della produzione libraria miniata. L'autore prende in esame codici miniati commisionati da istituzioni romane o destinati a Roma, evidenziando come la prassi più diffusa fosse quella di rivolgersi al mercato librario avignonese o a quello abruzzese. Per questi ultimi materiali è forse ipotizzabile uno spostamento dei miniatori a Roma per eseguire il lavoro commissionato.The essay outlines the context of illuminated book production in Rome in the 14th century. The author analyzes the patronage of Roman institutions and the books meant for use in Rome, underlining how the most frequent procedure seems to have been the ordering of the book from artists working in Avignon or in the Abruzzi. In the latter case, it is possible that the illuminators did actually come to Rome to carry out the illuminated book
Un felice ritrovamento. Ritorna a Guardiagrele un foglio rubato.
No full textL’articolo presenta il ritrovamento di un foglio miniato proveniente dai corali di Guardiagrele, sottratti nel 1979; il foglio rubato, identificato dall’autrice e successivamente recuperato dal nucleo Tutela Patrimonio Culturale dell’arma dei Carabinieri, è rientrato nella sede di destinazione originariaThe article publishes the recovery of an illuminated leaf, detached from the choir books stolen from the church of Guardiagrele in 1979; the detached leaf, identified by the author and on this basis recovered by the Carabinieri of the nucleo Tutela Patrimonio Culturale, has gone back to its original destinatio
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