2,624 research outputs found
Physical aspects of cancer invasion
No full textInvasiveness, one of the hallmarks of tumor progression, represents the tumor's ability to expand into the host tissue by means of several complex biochemical and biomechanical processes. Since certain aspects of the problem present a striking resemblance with well-known physical mechanisms, such as the mechanical insertion of a solid inclusion in an elastic material specimen (G Eaves 1973 The invasive growth of malignant tumours as a purely mechanical process J. Pathol. 109 233; C Guiot, N Pugno and P P Delsanto 2006 Elastomechanical model of tumor invasion Appl. Phys. Lett. 89 233901) or a water drop impinging on a surface (C Guiot, P P Delsanto and T S Deisboeck 2007 Morphological instability and cancer invasion: a 'splashing water drop' analogy Theor. Biol. Med. Model 4 4), we propose here an analogy between these physical processes and a cancer system's invasive branching into the surrounding tissue. Accounting for its solid and viscous properties, we then arrive, as a unifying model, to an analogy with a granular solid. While our model has been explicitly formulated for multicellular tumor spheroids in vitro, it should also contribute to a better understanding of tumor invasion in vivo
The Flute Pedagogy of Raymond Guiot
No full textRaymond Guiot (b. 1930) is a representative of the Modern French Flute School, and a graduate of the class of legendary flutist Marcel Moyse (1889-1984) at the Paris Conservatoire in 1947. His prolific career, spanning from the early 1950s to the present day, includes not only his work as a highly respected classical performer and pedagogue, but also as a renowned popular musician, recording artist, and composer. Despite his long artistic and pedagogical career, his outstanding teaching work, developed in conservatories and institutions in France and Italy--and in workshops, masterclasses and summer academies around the world--and despite the large number of his students having developed successful artistic careers, Raymond Guiot is one of the least known premier French flute pedagogues at the international level. This research seeks to introduce this figure of the Modern French Flute School—the performer, the composer, and especially the pedagogue—to both the flute world and the larger music community. The author details, through her first-hand experience as a former student of Guiot and through a series of interviews with fellow former students and Guiot himself, the outstanding pedagogical principles of this musician. This study presents the influence of the ideas of Marcel Moyse and the Paris Conservatory traditions on his teaching, as well as the influence of his popular music experience, and also his own particular approach to interpretation and expression, general flute technique, and the development of an artistic personality. This document presents Guiot’s pedagogy and his contributions to the realm of the flute performance, including an account of his work as a performer and as a flute teacher, a genealogy of the Modern French Flute School, a catalogue of his compositions, and a list of his recordings
Fonds Louis Bertrand. Fonds numérisé. Correspondance de Louis Bertrand. [Lettre tapuscrite de Marcel Guiot à Louis Bertrand]
No full textNumérisation effectuée à partir d'un document original : LBC0945.Appartient à l'ensemble documentaire : 3M000Appartient à l'ensemble documentaire : 3M007Inscription : Annotation crayon = "Le Duc de T. a peut-être des projets un peu ambitieux"Guiot, Marcel.Bertrand, Louis (1866-1941).Paris (France).Lieu de copie : Pari
Musica, canto e relazione. Verso il Relational Singing Model
No full textLa riflessione sulla musica vive oggi un momento di particolare entusiasmo, in gran parte mosso da nuove conoscenze scientifiche suscetti-bili di inaugurare prospettive inattese, avvalorare o, spesso, mettere in crisi le precedenti. Tra gli aspetti al centro di questa rinnovata attenzione sono particolarmente rilevanti, per chi si trovi a riflettere sul rapporto tra musica, educazione e cura, le dimensioni emotiva e comunicativa. Non sorprenderà dunque incontrare programmi di intervento che invitano a utilizzare sin dall’infanzia la musica per affrontare nell’intersoggettività disturbi emotivi e relazionali che, a loro volta, generano difficoltà di comunicazione. È il caso del modello SAME (Shared Affective Motion Experience) proposto da K. Overy, S. Molnar-Szakacs e dell’approccio presentato in (Guiot, Meini, Sindelar 2012), che vorremmo ora approfondire fino a delineare i tratti generali del Relational Singing Model (RSM). Originariamente ispirato da una riflessione sull’autismo, RSM ambisce ad affrontare, più in generale, diversi gradi di fragilità attinenti alla capacità di riconoscere le proprie emozioni e di comunicare in maniera significativa. Anche il riferimento esplicito all’età evolutiva è dettato dalla nostra esperienza pregressa, ma non intende affatto precludere una generalizzazione del modello, che al contrario riteniamo opportuna
Guiot, Cecile Francine (1898–1981)
No full textCecile Francine Guiot was a missionary to New Caledonia.https://research.avondale.edu.au/esda/1171/thumbnail.jp
L'évolution d'une commune languedocienne, d'après A. Billange
No full textGuiot Paul. L'évolution d'une commune languedocienne, d'après A. Billange. In: Revue de géographie jointe au Bulletin de la Société de géographie de Lyon et de la région lyonnaise, vol. 25, n°4, 1950. pp. 305-308
A brief concert of Renaissance dances and songs of the Troubadours, Trouveres, and Minnesinger, Tuesday, February 23, 1993 6:00 p.m. Lillian H. Duncan Recital Hall
No full textPresented as part of Schola Pastoris, the early music ensemblePlaylist: Rgi Magyar Tncok -- Anon / A le'ntrada temps clar -- Anon / Biaus m'est estez -- Gace Brul / Quant je voy -- Colin Muset / De moi doleros vos chant -- Gilbert de Berneville / A Suite of Dances from about 1550 -- Guiot de Dijon / Chanterai por mon corage -- Guiot de Dijon / Ja nus hons pris -- Richard Coeur de Lion / Ine gesach die heide -- Neidhart von Reuenthal / Willekomen mayenschein -- Neidhart von Reuenthal
L'esperienza del coro fra etica e tecnica
No full textA partire dall'esperienza teorico-pratica del maestro Giorgio Guiot, insegnante di musica e direttore di cori amatoriali, si sviluppa una riflessione etica ed estetica sulla dimensione comunitaria a cui educa il canto corale, particolarmente importante in situazioni di socialità disagiata o compromessa
Informe que rinde a la Junta de Misiones de Colombia
No full textInforme presentado por José María Guiot, vicario de los Llanos de San Martín (Colombia), a la junta de Misiones del país. En el documento Guiot compila varios informes que recibió de parte de otros líderes misionales de la región oriental del país, a partir de los cuales puede informar acerca de los costos, gastos, avances y dificultades que tuvieron los proyectos misionales en la región entre el 20 de julio de 1915 y 1916. A lo largo del documento aparecen varias fotografías de los sacerdotes encargados de las misiones.- Informe que rinde a la junta de misiones el vicario apostólico de los llanos de San Martín.
- Estudio sobre el Banco San José.
- Carta del Ilmo. Sr. Vicario apostólico al R. P. director del Banco San José
4. Feu Guiot de Paiseul, vigneron Dijon 1392, décembre
No full textInventoire fait des biens demorez de la succession de feu Guiot de Paiseul de Diion vigneron, c’est assavoir de la part et porcion appartenant a Guiote moindre d’aige fille dudit feu Guiot par moy Jehan Prestet clerc jure de la court de la maierie de Diion commis ad ce de honorable homme et saige Jehan Baudot maieur de la ville et commune de Diion a la requeste de Guillaume Fauconnot archier tuteur et curateur de ladicte moindre le mercredi avant Noel l’an mil CCC IIIIxx et douze, lesquelx bi..
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