1,088 research outputs found
Commemorative medal on the 400th anniversary of Michelangelo's death, part of a series, Italy, 1964
No full textThis medal was scanned and uploaded to DLynx by Bonnie Whitehouse '18 and Rachel Rotter '18 in the Visual Resources Center during the 2016-2017 school year.General Description: There are at least four versions of this Michelangelo medal. However, the reverses vary with the following scenes:Moses/Last Judgment; Medici Madonna, and Pietà.Obverse Description: The obverse features a portrait of Michelangelo with the inscrition "MICHELANGELO 1475-1564" along with the inscribed artist signature and date "GIAMPAOLI 1964" on the bottom of the portrait.Reverse Description: The reverse features a relief of a mother holding her child.Historical Context:Artist Biography: This medal was designed by Pietro Giampaoli (1898-1998). Giampaoli was an Italian medalist and engraver. After serving in the First World War, Giampaoli pursued art studies at Brera Academy in the 1920s. He then settled in Rome and became the chief engraver at the Mint by 1936.Bibliography
Commemorative medal on the 400th anniversary of Michelangelo's death, part of a series, Italy, 1964
No full textThis medal was scanned and uploaded to DLynx by Bonnie Whitehouse '18 and Rachel Rotter '18 in the Visual Resources Center during the 2016-2017 school year.General Description: There are at least four versions of this Michelangelo medal. Reverses vary. Moses/Last Judgment; Medici Madonna, and Pietà.Obverse Description: The obverse features a portrait of Michelangelo with the inscription "MICHELANGELO 1475-1564" along with the inscribed artist signature and date "GIAMPAOLI 1964" on the bottom of the portrait.Reverse Description: The reverse features a relief of Michelangelo's sculpture of the Christian Pieta with the Virgin Mary holding a dead jesus Christ in her arms.Historical Context:Artist Biography: This medal was designed by Pietro Giampaoli (1898-1998). Giampaoli was an Italian medalist and engraver. After serving in the First World War, Giampaoli pursued art studies at Brera Academy in the 1920s. He then settled in Rome and became the chief engraver at the Mint by 1936.Bibliography
Commemorative medal on the 400th anniversary of Michelangelo's death, part of a series, Italy, 1964
No full textThis medal was scanned and uploaded to DLynx by Bonnie Whitehouse '18 and Rachel Rotter '18 in the Visual Resources Center during the 2016-2017 school year.General Description: There are at least four versions of this Michelangelo medal. However, the reverses vary with the following scenes:Moses/Last Judgment; Medici Madonna, and Pietà.Obverse Description: The obverse features a portrait of Michelangelo with the inscrition "MICHELANGELO 1475-1564" in the surround, along with the inscription of the artist name and date "GIAMDAOLI 1964" on the bottom of the portrait.Reverse Description: The reverse features a relief of one of Michelangelo's sculptures.Historical Context:Artist Biography: This medal was designed by Pietro Giampaoli (1898-1998). Giampaoli was an Italian medalist and engraver. After serving in the First World War, Giampaoli pursued art studies at Brera Academy in the 1920s. He then settled in Rome and became the chief engraver at the Mint by 1936.Bibliography
Commemorative medal on the 400th anniversary of Michelangelo's death, part of a series, Italy, 1964
No full textThis medal was scanned and uploaded to DLynx by Bonnie Whitehouse '18 and Rachel Rotter '18 in the Visual Resources Center during the 2016-2017 school year.General Description: There are at least four versions of this Michelangelo medal. However, the reverses vary with the following scenes:Moses/Last Judgment; Medici Madonna, and Pietà.Obverse Description: The obverse features a portrait of Michelangelo with the inscription "MICHELANGELO 1475-1564" along with the inscribed artist signature and date "GIAMPAOLI 1964" on the bottom of the portrait.Reverse Description: The reverse fearures a relief of two men and a woman, with the capital of the Vatican building in the background. The surround features the inscription "OVESTOSO MARDE EQUESTO MINNAMORA."Historical Context:Artist Biography: This medal was designed by Pietro Giampaoli (1898-1998). Giampaoli was an Italian medalist and engraver. After serving in the First World War, Giampaoli pursued art studies at Brera Academy in the 1920s. He then settled in Rome and became the chief engraver at the Mint by 1936.Bibliography
Italian commemorative coin minted for the 500th anniversary of the birth of Michelangelo, 1975
No full textThis medal was scanned and uploaded to DLynx by Bonnie Whitehouse '18 and Rachel Rotter '18 in the Visual Resources Center during the 2016-2017 school year.General Description: This 500 lire silver coin was issued in Italy in 1975 to commemorate the 500th anniversary of the birth of Michelangelo. The coin was minted in 269,000 examples and normally delivered in a presentation folio. Thus it was intended as a collector's item rather than a piece to be put into circulation, despite being perfectly valid for commerce. Coins and medals have a close historic relationship and the earliest medals were clearly based on prior coinage. Other countries have issued coinage with Michelangelo's image but this example is the most clearly related to commemoration and memorialization of the artist. The obverse bears a profile portrait facing towards the left with "Repubblica Italiana" and the date 1975 along the border. Beneath the portrait is "Giampaoli-Monassi inc" in reference to the collaboration of Pietro Giampaoli (1898-1998) and Guerrino Mattia Monassi (1918-1981), who were responsible for several collectible coins. The reverse shows an image of the Delphic Sybil, which appears on the ceiling of the Sistine Chapel as painted by Michelangelo. Pietro Giampaoli was head of the Italian mint from 1937-1963 and was succeeded by Guerrino Mattia Monassi, who was also his former pupil. The authorship of the coin is attributed by the mint to Giampaoli.Obverse Description: The obverse bears a left side portrait of Michelangelo with the inscription "REPVBBLICA ITALIANA 1975" (Italian Republic 1975). The reverse of this coin also includes the artists' name "GIAMPAOLI - MONASSI INC." below the portrait.Reverse Description: The reverse contains an image of an unknown woman with the inscription "MICHELANGELO BVONARROTI" in the surround and the inscription "L-500" on the bottom, along with the respective dates "1475" and "1564" on the sides of the portrait.Historical Context:Artist Biography: This medal was designed by Pietro Giampaoli (1898-1998). Giampaoli was an Italian medalist and engraver. After serving in the First World War, Giampaoli pursued art studies at Brera Academy in the 1920s. He then settled in Rome and became the chief engraver at the Mint by 1936.Bibliography
Per Martine Segalen
No full textForum in memory of Martine Segalen. Contributions by Christian Bromberger, Adriano Favole, Michelangelo Giampaoli, Marco Antonio da Silva Mello & Felipe Berocan Veiga, Cristina Papa, David Robichaux, Pier Giorgio Solinas, Françoise Zonabend. With an interview with Martine Segalen, edited by Adriano Favole.Forum in memoria di Martine Segalen. Contributi di Christian Bromberger, Adriano Favole, Michelangelo Giampaoli, Marco Antonio da Silva Mello & Felipe Berocan Veiga, Cristina Papa, David Robichaux, Pier Giorgio Solinas, Françoise Zonabend. Con una intervista a Martine Segalen, a cura di Adriano Favole.
 
Le mythe de l’«Indiano» pour les jeunes italiens. Deux cas d’études
No full textA partire dalla seconda metà del '900 e fino ad oggi l'immagine del nativo nord americano, veicolata attraverso il cinema, la letteratura, il fumetto, non ha mai smesso di affascinare le giovani generazioni in Italia. In particolare il saggio analizza come tale immagine, in molti casi fondata su una percezione parziale o stereotipata dell' "indiano d'America", sia entrata a far parte del sistema di valori e del linguaggio di due gruppi specifici di aggregazione giovanile: gli Ultras e le nuove leve dell'estrema destra italiana
Ruth Sosa, María Alejandra Ingaramo, María Angélica Pignatta y Georgina Giampaoli
No full textEl presente artículo reflexiona sobre temas sensibles, emergentes e insurgentes en el campo de las políticas sociales con potencial para ampliar la agenda de nuestras democracias. Sostenemos que está en marcha un proceso de expansión de derechos que se explica por las luchas colectivas de movimientos sociales, que se expresan en las calles y repercuten en transformaciones subterráneas que configuran modos otros de pensar las políticas sociales. Partimos de reconocer y adherir al giro epistémico que irrumpe críticamente en el campo de las ciencias sociales y en las formas de construir conocimiento. A cuarenta años del regreso de la democracia en Argentina, nos proponemos reflexionar sobre agendas insurgentes –y aún pendientes– en materia de reconocimiento a las identidades de género y la cuestión del cuidado como parte de los ejes centrales de las desigualdades.The present article reflects upon sensitive, insurgent, and emerging topics in the field of social policies with the potential to broaden the agenda of our democracies. We believe that there is an ongoing process of rights expansion related to the collective struggles of social movements, who express themselves in the streets and have an effect on the subterranean transformations that shape other ways of understanding social policies. We recognise and subscribe to the epistemic shift that abruptly appeared with a critical eye in the field of social sciences and in the forms of building knowledge. As we mark 40 years of Democracy in Argentina, we reflect upon insurgent -and still pendingagendas in matters of the recognition of gender identities and the issue of caregiving, as part of the central axes of inequalities.Fil: Sosa, Ruth. Universidad Nacional de Rosario; ArgentinaFil: Ingaramo, María Alejandra. Universidad Nacional de Rosario; ArgentinaFil: Pignatta, María Angélica. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Rosario; Argentina. Universidad Nacional de Rosario. Facultad de Ciencia Política y Relaciones Internacionales; ArgentinaFil: Giampaoli, Georgina. Universidad Nacional de Rosario; Argentin
Prefazione
No full textIl libro di Michelangelo Giampaoli mostra come, lungi dal limitarsi a essere uno spazio dei morti e per i morti, un cimitero è anche, e forse soprattutto, uno spazio per i vivi, che ci offre una possibilità di riflessione sulla storia, sull’arte, sulla realtà sociale in cui è inserito, della quale rispecchia contraddizioni e cambiamenti. Differenze di classe, di provenienza geografica, di religione trovano nel contesto cimiteriale una modalità espressiva peculiare, che l’analisi antropologica può cogliere in tutta la sua ricchezza e complessità
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