7,350 research outputs found
Les Carnets du roi, de Paul Gérardy. Edition présentée et annotée par Anne Cornet
En 1903 paraît à Paris une satire qui provoque immédiatement un gigantesque scandale, car les lecteurs croient y reconnaître Léopold II, roi des Belges. Quelques jours plus tard le livre est interdit en Belgique. Il connaît cependant un vif succès et se vend à prix d'or sous le manteau. L'auteur, Paul Gérardy, y brosse le portrait d'un monarque arrogant et cynique et propose une lecture subversive d'une société industrielle et coloniale qui pouvait tout aussi bien s'apppliquer à la France ou à l'Angleterre qu'au royaume de Belgique. Gérardy fut loin d'être le seul à brocarder Léopold II par sa plume : ce dernier n'a jamais cessé de susciter un nombre considérable d'essais et d'oeuvres de fiction en tous genres. Le pamphlet de Gérardy n'a donc rien perdu de son actualité, car il questionne le lecteur sur l'exercice du pouvoir, le cynisme de l'exploitation des richesses et le rôle des artistes et des intellectuels dans un monde globalisé. En prenant Léopold II pour cible, il renvoie également le lecteur au rapport complexe, conflictuel et douloureux que nos sociétés postcoloniales entretiennent avec leur passé
Existence of pseudo-equilibria in a financial economy
This paper proves the existence of a pseudo-equilibrium in a financial economy with incomplete markets in which the agents may have nonordered preferences. We will use a fixed-point-like theorem of Bich and Cornet that generalizes the results by Hirsch, Magill, Mas-Colell [18] and Husseini, Lasry, Magill [19] to encompass the framework considered by Gale and Mas-Colell ([14], [15]).Pseudo-equilibrium ; incomplete markets ; nonordered preferences ; fixed-point-like theorems ; Grassmann manifold
James Francis Burke’s Zorita (c. 1968): a transcribed edition for solo cornet and brass quintet
James Francis Burke (1923-1981) was one of the most renowned cornet soloists of the Twentieth Century. Despite having no use of his right arm, the result of suffering an injury at birth, Burke learned to play the cornet at an early age and began to perform solos for movies and radio shows by the age of 11. He is remembered primarily as the Cornet Soloist of the Goldman Band, a position he held for 32 years (1943-1975). Burke also performed extensively with the Baltimore Symphony, Radio City Music Hall, and Brooklyn Philharmonic Orchestras and held teaching positions at the Peabody Conservatory (Baltimore, MD), Ithaca College (NY), Hofstra University (NY), and the University of Bridgeport (CT). During his lifetime Burke performed a number of cornet solos with band accompaniment and composed solos that he performed with the Goldman Band and others including Danza Alegre, The Magic Trumpet, Amourette, Hocus Polka, Jimala Beguine, Joneta, Jolene, and Zorita. Of these compositions, only Zorita is unpublished. The purpose of this study was to transcribe the accompaniment for Burke's cornet solo, Zorita (c. 1968) for brass quintet. A secondary purpose of this study was to present a brief biographical sketch about Burke to provide historical context and background for the solo. A brief discussion of the work is included in this document, although complete analysis was beyond the scope of this study as was a complete biography of Burke. The transcribed edition of the solo was created by consulting unpublished scores of Zorita and a recording of the solo performed by Burke. The original cornet solo remained intact and is presented with the transcribed brass quintet accompaniment. The accompaniment was scored for the traditional brass quintet instrumentation: two trumpets, horn, trombone, and tuba. This transcription, therefore, requires an additional cornet performer to be the soloist. Appropriate for concert performance by advanced students, Zorita balances bel canto melodies with highly technical scalar passages and extended sections of multiple articulation
Existence of Equilibria with a Tight Marginal Pricing Rule
This paper deals with the existence of marginal pricing equilibria when it is defined by using a new and tighter normal cone introduced by B. Cornet and M.O. Czarnecki. The main interest of this new definition of the marginal pricing rule comes from the fact that it is more precise in the sense that the set of pricessatisfying the condition is smaller than the one given by the Clarke's normal cone. The counterpart is that it is not convex valued, which leads to some mathematical difficulties in the existence proof. The result is obtained through an approximation argument under the same assumptions as in the previous existence results.General economic equilibrium, increasing returns, marginal pricing rule, existence.
Existence of Equilibria with a Tight Marginal Pricing Rule.
This paper deals with the existence of marginal pricing equilibria when it is defined by using a new and tighter normal cone introducedby B. Cornet and M.O. Czarnecki. The main interest of this new definition of the marginal pricing rule comes from the fact that it is more precise in the sense that the set of prices satisfying the condition is smaller than the one given by the Clarke's normal cone. The counter- part is that it is not convex valued, which leads to some mathematical diffculties in the existence proof. The result is obtained through an approximation argument under the same assumptions as in the previous existence results.General economic equilibrium, increasing returns, marginal pricing rule, existence.
Elimination of arbitrage states in asymmetric information models
In a financial economy with asymmetric information and incomplete markets, we study how agents, having no model of how equilibrium prices are determined, may still refine their information by eliminating sequentially "arbitrage state(s)", namely, the state (s) which would grant the agent an arbitrage, if realizable. This article provides a dual behavior of the one studied in Cornet and De Boisdeffre (2002).Arbitrage, incomplete markets, asymmetric information, information revealed by prices.
Milford Fireman's Cornet Band
Milford Firemen's Cornet Band on the lawn of the Causey Mansion at a July 4th ceremony in 1905 or 1906. Sitting left to right: John Mayhew, clarinet; Norman Windsor, cornet; Robert Davis, cornet. Kneeling left to right: William Truitt, bass drum; ---, alto; William Gray, cornet (leader); W. B. Pine, alto. Standing left to right: Willis Hall, baritone; Joseph Rogers, valve trombone; Roy Cannon, snare drum; Thomas Ross, bass; James Cannon, trombone; Winfield Mayhew, baritone
[medal] Penning bij de herdenking aan Professor Cornet. /
Recto: Buste naar links van Cornet ; onder de afsnede van de buste, verdiept, A. BONNETAINVerso: A / JULES CORNET / I 8 6 5 - I 9 2 9 / ̶̶̶ / PROFESSEUR A L'ECOLE / DES MINES DE MONS / ET A / L'UNIVERSITE DE GAND / ̶̶̶ / FONDATEUR DE LA GEOLOGIE DU CONGO /-----Despretz, A. Academia Gandavensis in Nummis, Penningen die betrekking hebben op de Gentse Universiteit. Gent: Numismatica Gandavensis, 1997, nr. 5.2., p. 67.Vancraenbroeck, M., Medailles rond de Belgische aanwezigheid in Midden-Afrika 1876-1960 , 1996, nr. 20, p.41.Taymans, H., De numismatische nalatenschap van twee vooraanstaande mineralogen van de Gentse Universiteit, in jaarboek EGMP 2020, p. 77-81.Bijzondere collectiesPromotie van de medaill
Caprice, cornet, piano, op. 60
For cornet and piano. --- "Concours du Conservatoire de 1904"
His Old Cornet
Victor
His Old Cornet [Side A]; Why Ain’t I Got No Sweetheart? [Side B]
His Old Cornet
(Carson Robison)
Bud Billings—Carson Robison
Duet with orchestra
V-40208-Ahttps://digitalcommons.pittstate.edu/cjrrl/1052/thumbnail.jp
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