2,313,940 research outputs found
[Portrait of Jeffrey Archer at the National Press Club, Canberra, 12 October 1988] [picture] /
No full textCondition: good.; Part of a collection of portraits of Jeffrey Archer taken at the National Press Club.; Negative to be found in packet (2) of 2 packets (1 and 2).; Title devised by cataloguer from information on negative packet.; Related material: Address delivered by Jeffrey Archer, novelist, at the National Press Club, Canberra, October 12, 1988 National Library of Australia Oral History section ORAL TRC 4080. Photographs of Jeffrey Archer taken when addressing the National Press Club, Canberra, 12 October 1988
Regionalentwicklung im foederalen Staat Wissenschaftliche Plenarsitzung 1988
No full textUnter der Thematik 'Regionalentwicklung im foederalen Staat' greift die 'wissenschaftliche Plenarsitzung 1988' zwei wichtige Facetten aus dem Bereich der raeumlichen Entwicklungspolitik auf. Die erste bezieht sich auf die Moeglichkeiten und Grenzen regionaler Strukturpolitik. Notwendigkeit einer Neuorientierung ergibt sich insbesondere aus der wachsenden Kritik an der derzeitigen Regionalpolitik, an ihren Zielen und an ihren Instrumenten. Der zweite Aspekt ist die Pruefung der Vor- und Nachteile des foederalen Systems, insbesondere hinsichtlich seiner Eignung fuer den Bereich der Regionalentwicklung unter den neuen europaeischen Rahmenbedingungen. (IAB2)Available from IAB / FIZ - Fachinformationszzentrum Karlsruhe / TIB - Technische InformationsbibliothekSIGLEDEGerman
The last circus ["Circus 3" - Entr'acte Theatre performance at The Performance Space, Redfern, New South Wales, February 1988] [picture] /
No full textTitle from accompanying documentation.; Part of the collection: Photographs of Entr'acte Theatre, 1985-1988.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3261666
The last circus ["Last circus 2" - Entr'acte Theatre performance at The Performance Space, Redfern, New South Wales, February 1988] [picture] /
No full textTitle from accompanying documentation.; Part of the collection: Photographs of Entr'acte Theatre, 1985-1988.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3261592
[Portrait of John Bannon addressing the National Press Club, 17 May, 1988] [picture] /
No full textCondition: Good.; Negative to be found in packet (2) of 2 packets (1 & 2).; Part of a collection of photographs taken at the National Press Club, Canberra on 17 May, 1988.; Title devised by cataloguer from caption on negative folder
Stefan Karlsson in rehearsal at the Wharf for Graeme Murphy's Vast, 1988 [picture] /
No full textInscriptions: "9/17" -- in ink on reverse; title label and photographer's stamp on reverse.; Condition: Good.; Choreographed by Graeme Murphy.; Part of the collection: Rehearsals of Vast, created by Graeme Murphy for the National Bicentennial Dance Event, 1988.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3102086
Aboriginal author Mudrooroo Narogin, Sydney, 1988 /
No full textTitle devised by cataloguer from acquisitions documentation and reference sources.; Part of the collection: Portraits of various significant Australians, 1988-2000.; Mode of access: Online
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Portrait of Michael Leunig, 1988 [picture] /
No full textTitle from accession record.; Plate no. 29 from: Faces of Australia / Jacqueline Mitelman. Melbourne : Lothian, 1988
Portrait of Richard Wherrett, 1988 [picture] /
No full textTitle from accession record.; This painting was a finalist in the 1988 Archibald Prize.; R11376
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