1,892,089 research outputs found
Portrait of William Barton, aged 81 years, seated, 1876 [picture] /
Inscriptions: "Lomer; Brisbane" -- Printed below image. "Age 81 years, 1876" --In ink below image. "William Barton, 1876" --In pencil on reverse. "Albert Lomer ..." --Stamped on reverse.; Condition: fair.; Title from inscription below image and on reverse.; Part of a collection of photographs of Edmund Barton, his family, associates etc; Related material: Papers of Sir Edmund Barton, 1827-1940 National Library of Australia Manuscripts section MS 51, Series 12, item 1264
Pier at Manly, New South Wales, ca. 1876 [picture] /
Title devised by cataloguer based on inscriptions and other reference sources.; Part of collection: Collection of photographs of New South Wales, ca. 1876-1897.; Inscriptions: "C. Bayliss, photo, Sydney"--Photographer's blind stamp lower left corner; "Manly"--Printed lower left.; Condition: Yellowing, tear.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn5751027
Interest Groups, Government Spending and Italian Industrial Growth (1876-1913)
In the last two decades of the XIX century the Italian model of economic growth shifted from agricultural to industrial. Historians maintain that this process was affected by the action of some interest groups that pursued both state protection from competition and specific public expenditure programs. Starting from the economic literature of interest groups, this paper attempts to empirically investigate the role of the interest groups in public expenditure decisions in Italy from 1876 to 1913. We argue that a proper indicator of the role of interest groups is their output. The analysis suggests that government spending was sensitive to the preferences of heavy industry rather then those of textile and cereal cultivators. We therefore highlight the role of the political process in setting economic policy at the early stages of the Italian development.industrialization; special interests groups; public expenditure, Italian economic history.
Adelaide Ristori as Maria Stuart , 1876 [picture].
Title from inscription and information from vendor.; Condition: Good.; Inscriptions: "Adelaide Ristori (1876)"--in pencil on reverse.; Photographer is possibly Napoleon Sarony of New York--Information from vendor.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3566473; Purchased, 2005
Sydney from the south - the railway station 1876 [picture]
Part of collection: Buckland collection of railway transport photographs.; Photograph of etching in the "Town and Country Journal" October 14, 1876; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4543837
Sydney Municipal Council, 1876 [picture].
"Sydney Municipal Council, 1876"--Printed on image, top centre and lower third centre.; Condition: Good/fair, 20 individual portraits adhered to backing board, some fading and discolouration, some losses around edges of backing board, name of City Engineer illegible owing to surface damage.; Ferguson collection.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an24463235. Captions below portraits identifying individuals: Left to right from top: 1st row. J. Oatley, J. Merriman, T. Playfair, J. Green. 2nd row. R. Fowler, C. Moore, C. Field, T. Rowe, J. Harris; 3rd row. M. Chapman, B. Palmer, J. Macintosh; 4th row. S.S. Gould, J. Davies, W. Kippax, R. Maze; 5th row. T.H. Bradridge City Surveyor, C.H. Woolcott Town Clerk, L. Lord City Treasurer, F. Be(?) City Engineer
Warranty deed, 1876 Aug. 22
Purdue University original land deed. Signed by John Purdue on Aug. 22, 1876; received for record on Sept. 13, 187
Portrait of Herbert Eulenberg (1876-1949).
Profile view of the face alone facing right, set in the top three-fourths of the print. The model was a writer. Star of David and artist's initials in lower right corner. Signed lower left by Struck, lower right by Eulenberg. Numbered 28/50 in lower right.Herbert Eulenberg (1876-1949) was a German poet and author born in Cologne-Mülheim, Germany.Hermann Struck was born Chaim Aaron ben David in 1876 in Germany. He is best known as a master etcher, lithographer and early Zionist. He studied for five years at the Berlin Academy and in 1908 wrote Die Kunst des Radierens (The Art of Etching), while mentoring artists such as Marc Chagall, Max Liebermann and Lesser Ury. His art was included in an exhibition at the Fifth Zionist Congress and he helped establish the religious Zionist movement called Mizrachi. Struck was an Orthodox Jew but believed that culture and religion could thrive cooperatively in Israel. He immigrated to Haifa where he created an artistic community and participated in the development of the Tel Aviv Museum and the Bezalel art school in Jerusalem. He died in 1944.digitizedDigital imag
Edison's Electric Pen and Duplicating Press - Letter, 1876
Letter written using Edison's Electrical Pen and Duplicating Press. Includes a description of the new product, the cost, and how to purchase the item. Written in May 1876 for the Centennial Exhibition at the 1876 World's Fair in Philadelphia, Pennsylvania
Edmond Lempereur (1876-1909) illustrateur : signature “E. Lempereur” [1899]
Edmond Lempereur (illustrateur 1876-1909) : signature “E. Lempereur” [1899]. Mot-clé "Edmond Lempereur (1876-1909)
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