1,779,626 research outputs found
Cape Pillar and Tasman's island bearing NW. by west, 1818? [picture] /
No full textTitle from inscription below image.; In sketchbook: Drawings of scenery, ca. 1820-1828; Inscription continues describing the coastline.; Also available online at: http://nla.gov.au/nla.pic-an6239019
Newcastle, New South Wales, 1818 [picture] /
No full textInscription: "Newcastle 1818"-- In pencil upper right.; Title from inscription.; In: Sketchbook of scenes of Sydney, Broken Bay, Newcastle and region, New South Wales, 1817-1840.; Inscriptions: "Newcastle 1818"--In pencil upper centre.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an4563834-s16; Exhibited: ' Treasures Gallery' Iteration 4, National Library of Australia, 3 December 2012 - 5 December 2014
Paradoxical solitude in the life, letters, and poetry of John Keats, 1814-1818
No full textThis thesis proposes two distinct but connected ideas: that John Keats’s idiom of friendship was haunted by “sequestered” longings and that he ultimately valued specific, one-on-one partnerships as a basis for his poetical character. The Introduction places the thesis within its critical context and outlines “paradoxical solitude,” a concept the poet expressed by joining a “kindred spirit” in a wilderness retreat in “O, Solitude.”
I begin by examining the evolving role of solitude in Keats’s literary predecessors (Chapter I). I then trace the development of ideas of creativity and solitude from his 1814-1815 verse, including his first association with a coterie and the influence of Wordsworth (Chapter II). Building on these findings, I explore the poet’s introduction to the Hunt circle in 1816, assessing his relationships with its members and their overstated roles in the production of Poems (Chapter III). I then discuss how Keats regarded the composition of Endymion in 1817 as a poetic “test,” specifically tailored to reinforce his identity as a solitary poet (Chapter IV).
I contend that Keats engaged in a dialogue of independence with Reynolds, adapted the theories of Hazlitt, and restlessly travelled throughout England as a means of rejecting the highly social periods of 1818 (Chapter V). I then consider the creative gains of his northern expedition with Brown in the summer of 1818. I argue that Keats exaggerated his development into a “post-Wordsworthian” poet, positioning himself outside both the coterie’s sphere and the reach of Blackwood’s criticism, and inspiring the theme of Hyperion (Chapter VI).
In closing, I analyze Keats’s advice to Shelley to be a selfish creator of his poetic identity. Only through paradoxical solitude, I argue, was Keats able to construct the poetic identity that led him to compose the poems on which his fame rests in the 1820 volume
Inside of the heads of Broken Bay taken from the entrance of Pittwater, New South Wales, 20 September 1818 [picture] /
No full textTitle from inscription.; In: Sketchbook of scenes of Sydney, Broken Bay, Newcastle and region, New South Wales, 1817-1840.; Inscriptions: "20th September 1818 ; Inside the heads of Broken Bay N.S.W. taken from the entrance of Pitt Water"--In pencil upper centre right.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an4563834-s25; Exhibited: Travellers Art, National Library of Australia, 12 June 2003 - 21 September 2003 AuCNL
The public buildings in Macquarie Street from the road heading to Mrs. Macquarie's Chair, Sydney, 1818 [picture] /
No full textInscription: "The public buildings in Macquarie St. from road heading to Mrs. Mc chair, 1818"--In pencil upper centre.; Title from inscription.; Reproduced as pl. no. 160 in: First views in Australia 1788-1825 / Tim McCormick [et al.]; In: Sketchbook of scenes of Sydney, Broken Bay, Newcastle and region, New South Wales, 1817-1840.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an4563834-s9; Exhibited: "Travellers Art", National Library of Australia, 12 June 2003-21 September 2003
South shore, Broken Bay taken at the mouth of the harbour, South Head bearing north north west, New South Wales, 21 September, 1818 [picture] /
No full textTitle devised by cataloguer from inscription.; In: Sketchbook of scenes of Sydney, Broken Bay, Newcastle and region, New South Wales, 1817-1840.; Inscription: "Sept. 21st 1818 ; South shore, Broken Bay taken at the mouth of the harbour, S Head bearing NNW"-- In pencil upper right.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an4563834-s18
Heiskell broadsides collection, 1818-1950
No full textThis collection contains oversize materials from various Heiskell manuscript collections and broadsides collected by J. N. Heiskell, concerning elections, race relations, government, land sales, theater programs, railways, the Civil War, the Little Rock water system, the; This collection was originally numbered H-36 and is part of the J. N. Heiskell Historical Collection, courtesy of the Arkansas Gazette Foundation.Heiskell broadsides collection, 1818-195
REDISCOVERING CAPUZZI CONCERT III MUSIC OF GIUSEPPE ANTONIO CAPUZZI (1755-1818) Celebrating the 250th Anniversary of his Birth Sunday, October 30, 2005 8:00 p.m. Lillian H. Duncan Recital Hall
Get PDFPlaylist: String Quintet in G Major, Op.3 No.6 / Giuseppe Antonio Capuzzi (1755-1818) -- Divertimento No.1 in D Major for Violin and Bass / Giuseppe Antonio Capuzzi (1755-1818) -- Divertimento No. 6 in G Major for Violin and Bass / Giuseppe Antonio Capuzzi (1755-1818) -- Ballet Suite from "L'impostore punito" / Giuseppe Antonio Capuzzi (1755-1818)
REDISCOVERING CAPUZZI CONCERT II MUSIC OF GIUSEPPE ANTONIO CAPUZZI (1755-1818) Celebrating the 250th Anniversary of his Birth Saturday, October 29, 2005 8:00 p.m. Lillian H. Duncan Recital Hall
No full textPlaylist: String Quintet in C Minor, Op.3 No.2 / Giuseppe Antonio Capuzzi (1755-1818) -- Sonata No. 2 in D Major for Violin and Cello (or Bass) / Giuseppe Antonio Capuzzi (1755-1818) -- String Quartet in B-flat Major, Op. l No. 4 / Giuseppe Antonio Capuzzi (1755-1818) -- Sonata No. 5 in D Major for Violin and Bass / Giuseppe Antonio Capuzzi (1755-1818) -- Sinfonia Concertante in D Major for Two Violins and Viola, Op.1 / Giuseppe Antonio Capuzzi (1755-1818)
Les souvenirs mélodiques. , Petit boléro d'Henri Ravina : pour piano / transcription, J. L. Battmann
No full textTitre uniforme : Battmann, Jacques-Louis (1818-1886). Compositeur. [Arrangements. Ravina, Henri. Petit boléro. Piano]Piano, Musique de -- +* 1800......- 1899......+:19e siècle:Boléros (piano) -- +* 1800......- 1899......+:19e siècle
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