1,765,484 research outputs found
Edmund Randolph Letter, 1780
No full textLetter, 21 February 1780, of Edmund Randolph, Williamsburg, Virginia to unidentified recipient. Letter concerns a suit to collect the principle and interest of a bond. Also mentions Mr. Hunter, West, Peyton, and [George] Wythe. From Mss. Acc. 1992.42, Edmund Randolph Letter, Special Collections Research Center, Swem Library, College of William and Mary
[Cartas y notas referentes al certamen de los Premios Real Academia Española del año 1780] [Manuscrito].]
No full textPiezas 6 y 7 notas de la Real Academia Española sobre las obras premiadas y autoría de las mismas.En bl. h. 4, 8 y 14 y verso de h. 2, 6, 10 y 12-13.Contiene: [Carta], 1779 jul. 5, Madrid, al Conde de Floridablanca; [Carta], 1779 jul. 6, Palacio, a Manuel de Lardizábal / El Conde de Floridablanca; [Carta], 1780 marzo 19, Madrid, al Conde de Floridablanca; [Carta], 1780 marzo 21, Madrid, a Juan Melendez Valdes; [Carta], 1780 marzo 21, El Pardo, a Manuel de Lardizábal y Uribe / El Conde de Floridablanc
1800 : la littérature des années 1780-1830
No full textLe carnet de recherches "1800" s'intéresse à la littérature des années 1780-1830. La périodisation de l'histoire littéraire et les contraintes institutionnelles ont traditionnellement figé cette séquence dans un statut au mieux transitoire, au pire stérile. Les modifications décisives qui interviennent entre 1780 et 1830 en font pourtant un seuil capital de la vie littéraire et de l'histoire des idées. L'expérience de la Révolution, la négociation de sa mémoire et de son héritage, la refonte ..
(The) man, his body, and his society: masculinity and the male experience in English and Scottish medicine c.1640-c.1780.
No full textThis thesis examines the relationship(s) between medicine, the body and societal codes of masculinity in England and Scotland between c.1640 and c.1780. It responds to the way in which the men in histories of post-1660 masculinity are often disembodied, and to the comparative absence of men’s gendered experiences from the history of medicine. Its findings show that in both centuries the experience of being a man with a body that was the site of health and sickness was an open, candid, and often communal, one, inside and outside of the formal medical encounter. Thus, and on both sides of 1700, ill men had full freedom in the pursuit and acceptance of medical, familial and social assistance, while their physical suffering, and associated emotional distress, was met with sympathy. With their sick bodies the sites of honest self-examination and open discussion, it was in part this very public nature of their sicknesses that allowed men, as a gender and as individuals, independence and agency in their non-commercial health care. Indeed, later-seventeenth- and eighteenth-century men suffered no constraints in their ability to respond to the vulnerabilities of their bodies, even where this involved behaviours or attributes allegedly associated with women and femininity, or inconsistent with ideals of active, independent, masculinity.
These findings indicate, therefore, great continuity across the period 1640-1780, and not only in masculine ideals of and involving the male corporeality. There seems to have been significant consistency across time in men’s social and medical experiences of both sickness and their pre-emptive preparation for it, and in an apparent collective self-confidence concerning their corporeal masculinity, their sex, and, possibly, even their sexual potential. Indeed, these sources suggest that seventeenth- and eighteenth-century men had a resilient sense of self-identity (and personal masculinity), conceptually separable from the corporeal body and its known fragilities
Shakespeare and England's Empire, 1780-1800.
No full textThis thesis is a study of Shakespeare and imperialism in England between 1780 and 1800. Chapters investigate landscape art and empire in the Boydell gallery, death and imperial subjectivity, gender and form in appropriations of Shakespeare by women artists and writers, caricatures that reference Shakespeare during these years, the use made of Shakespeare by prominent individuals to formulate their identities in the context of empire and the debates on the Quebec Bill in London’s parliament in May 1791. The thesis is primarily concerned to explore how gothic forms and representations were integrated into the history of Britain’s relationship to its empire; to assess the use of Shakespeare in academy painting and in forms such as engraving, graphic satire, relief sculpture and in writing. The study also emphasises affect: fear of imperial identities, the danger of overseas life, terror, nostalgia, affection in connection to the nation and its spaces, the increasingly imperial reach of relations with revolutionary France during these years, and pleasurable diversion in reappropriations of the plays in varying arenas
Etat des livres, dont la vente se fera en la Chambre royale & syndicale des libraires & imprimeurs de Paris, le 20 ou 21 octobre 1780, à trois heures de relevée.
No full text[Catalogue de libraire. Paris. Dehansy, Honoré-Clément. 1780][Vente (Livres). 1780-10-20. Paris]Avec mode text
Plantain tree, in the island of Cracatoa [i.e. Krakatoa] [picture] /
No full textPainting executed during Cook's third voyage, 1776-1780.; Rex Nan Kivell Collection NK52/0.; Title from inscription below image.; Joppien and Smith, 3.413.; T438
[A man of Pulo Condore] [picture] /
No full textDrawing executed during Cook's third voyage, 1776-1780.; Rex Nan Kivell Collection NK52/M.; Joppien and Smith, 3.399.; Exhibited: "Travellers Art", National Library of Australia, 12 June 2003-21 September 2003; T436
Jg.1780., (1780) (11)
No full textJG.1780., (1780)
Oekonomische Beyträge und Bemerkungen zur Landwirthschaft (-)
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Fortsetzung der natürlichen Witterungs-Zeichen. (1)
Von der Gesundheit der Menschen. (2)
Viehzucht und Vieharzneyen. (7)
Pflanzenbau. (17)
Vermischte Anmerkungen. (42)
Register. (61)
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[A woman of Pulo Condore] [picture] /
No full textDrawing executed during Cook's third voyage, 1776-1780.; Rex Nan Kivell Collection NK52/L.; Joppien and Smith, 3.402.; Exhibited: "Travellers Art", National Library of Australia, 12 June 2003-21 September 2003; T435
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