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[Mélanges autographes : volume 6] (manuscrit autographe) / Marc-Antoine Charpentier]
No full textTitre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Mélanges autographes. Vol. 6]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Luctus de morte augustissimae Mariae Theresiae reginae Galliae. H 331]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [In honorem Sancti Ludovici regis Galliae. H 332]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Orphée descendant aux enfers. H 471]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [O caelestis Jerusalem. H 252]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Dixit Dominus Domino meo. H 190]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [O amor. H 253]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Lauda Jerusalem. H 191]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Omnes gentes. H 192]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Domine salvum fac Regem. H 293]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Domine salvum fac Regem. H 294]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [O pretiosum et admirabile convivium. H 254]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Annuntiate superi, narrate caeli. H 333]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Magnificat. H 75]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [O pretiosum et admirandum convivium. H 255]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Litanies de la Vierge. H 83]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Caecilia virgo et martyr. H 413]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [In nativitatem Domini canticum. H 414]Comprend : Luctus de morte Augustissimae // Maria Theresiae Reginae Galliae ; In honorem Sancti Ludovici // Regis Galliae ; Orphee descendant // aux enfers ; Psalmus 109.us Dixit Dnus 8 vocibus et totidem instr. ; O Amor Elevation a 2 dessus et une basse chant. // ou pour une haute C. haute T. et basse chant en le transposant un ton plus haut // Son prelude est au // cahyer LVIII a 2 ; Psalmus 147 ; Autre domine ; Pro omnibus festis B V M. ; Magnificat a 3 dessus ; Litanies de la Vierge // a 6 voix et deux dessus // de violles ; Caecilia virgo et Martyr ; In nativitatem D N J C // CanticumContient : "Luctus de morte augustissimae Mariae Theresiae reginae Galliae" (H 331) ; "In honorem Sancti Ludovici regis Galliae" (H 332) ; "Orphée descendant aux enfers" (H 471) ; "O caelestis Jerusalem" (H 252) ; "Dixit Dominus Domino meo" (H 190) ; "O amor" (H 253) ; "Lauda Jerusalem" (H 191) ; "Omnes gentes" (H 192) ; "Domine salvum fac Regem" (H 293, H 294) ; "O pretiosum et admirabile convivium" (H 254) ; "Annuntiate superi, narrate caeli" (H 333) ; "Magnificat" (H 75) ; "O pretiosum et admirandum convivium" (H 255) ; "Litanies de la Vierge" (H 83) ; "Caecilia virgo et martyr" (H 413) ; "In nativitatem Domini canticum" (H 414). - Foliotation irrégulière : le vol. est paginé p. 35-36, 54-55, 91-92. - Pièce de titre avec mention : "Musique de Charpent 6"Présentation musicale : [Partition]Appartient à l’ensemble documentaire : RISM2Appartient à l’ensemble documentaire : RISMMssPsaumes (musique) -- +* 1600......- 1699......+:17e siècle:Motets -- +* 1600......- 1699......+:17e siècle
Public worship and practical theology in the work of Benjamin Keach (1640-1704)
No full textThe late seventeenth century was a critical and fruitful period
for the Particular Baptists of England. Severely persecuted following
the Restoration, toleration in 1689 brought its own perils.
Particular Baptists were fortunate in having several strong leaders,
especially the London trio of Hanserd Knollys, William Kiffin, and
Benjamin Keach. Such a small and severely persecuted group as the
Baptists could afford little time for academic pursuits, thus of
necessity most of their theology was practical in nature.
Benjamin Keach (1640-1704) was the most outstanding practical
theologian among the English Particular Baptists of the late
seventeenth century. This dissertation is a study of Keach, in
particular his writings on public worship and practical theology.
Although Keach was a prolific author, he has been almost completely
neglected by scholars.
After a biographical sketch of Keach, this study considers his
writings on public worship and practical theology. In the area of
worship, Keach made two outstanding contributions: First, he was the
most vocal apologist for Baptist views on Baptism of his period.
Secondly, and more importantly, his hymn writing and defense of hymn
singing broke new ground, not just for Baptists, but for English
Protestantism, in general. In addition to his contributions in these
areas, he also dealt with the laying on of hands and the sabbath day
worship controversy.
Keach's contributions to practical theology fall into two main
groups: his writings that concern religious education and those that
deal with polity. In addition to these, Keach's vigorous advocacy of
a high Calvinist soteriology are also considered under the rubric of
practical theology. Keach's most important (although not his most
positive) contribution in this area were his soteriological writings.
Although well within the bounds of orthodoxy, some of the tendencies
in Keach's soteriology were taken up by the following generation of
Baptist leaders and developed into a stultifying hyper-Calvinism that
handicapped Baptist evangelism and missions.
In the conclusion, Keach's contributions to a theory of practical
theology are considered
Bibliographie : Beschluß der römischen Octavia, [vol. 5] (Nürnberg: J. Hoffmanns Wittib/ E. Streck, 1704 [korr. 1706])
No full textFünfter Band der ersten Fassung der "Römischen Octavia". Der Band ist erstmals im Ostermesskatalog von 1704 angekündigt worden und dann nochmals im Ostermesskatalog von 1706. Wahrscheinlich sollte der Band, wie es auch auf dem Titelblatt steht, ursprünglich 1704 erscheinen, ist dann aber erst 1706 tatsächlich auf den Markt gekommen. Vgl. dazu HKA I (1993), p. CXVI. Cf. zur Vollständigen Publikationsgeschichte: Octavia. Römische Geschichte, [vol. 1] (Nürnberg: J. Hoffmann, 1677). Die nicht verkauften Exemplare dieses Drucks wurden zudem 1711 unter neuem Titelblatt im Rahmen einer Gesamtausgabe nochmals angeboten
Catalogue des livres imprimez, et qui se vendent à Paris, chez Nicolas Gosselin, dans la grande salle du Palais, du côté de la Cour des Aydes, à l'Envie. 1704
No full text[Catalogue de libraire. Paris. Gosselin, Nicolas. 1704
Catalogue des livres de musique, et autres qui se vendent chez Christophe Ballard, seul imprimeur du Roy pour la musique, à Paris, ruë S. Jean de Beauvais, au Mont-Parnasse, 1704
No full text[Catalogue de libraire. Paris. Ballard, Christophe. 1704
Marriage Contract, France, 1704
No full textBox 1: Item 2012.028. Marriage Contract, France, 1704. Marriage contract, dated 25 August 1704, between Nicolas Dubord and Marie Madgalène Salle, both of Le Havre, France
IX A 1 - Alte Stadtrechnungen (1703 - 1704)
No full textIX A 1 - ALTE STADTRECHNUNGEN (1703 - 1704)
IX A 1 - Alte Stadtrechnungen (1703 - 1704) ( -
IX A 1 - Alte Stadtrechnungen (1704)
No full textIX A 1 - ALTE STADTRECHNUNGEN (1704)
IX A 1 - Alte Stadtrechnungen (1704) ( -
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