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The Thunder Thigh Revue Memory Album
The Thunder Thigh Revue Memory Album is a collection of photographs, ephemera, newspaper clippings, articles, photographs, promotional programming, and postcards regarding the Thunder Thigh Revue act created and performed by Kay Lawal-Muhammad and Joyce J. Scott. The materials range from 1985 to 1987 and include locations from Baltimore, MD, to Edinburgh, Scotland
In Monet's Light exhibition, Baltimore Museum of Art, October 17, 2004 – January 9, 2005
In Monet’s Light: Theodore Robinson at Giverny, on view October 17, 2004 through January 9, 2005, features nearly 60 of Theodore Robinson’s luminous paintings of the French countryside alongside five stunning masterpieces by his friend and mentor Claude Monet
Cram Sessions: 01 Collective Effort exhibition, Baltimore Museum of Art, March 3-28, 2004
Collective Effort is the first of a three-part series of exhibitions titled Cram Sessions and organized by BMA curator, Chris Gilbert. Cram Sessions used local emerging artists to engage in a dialog of social, political, and economic subjects
Grand Reopening of Cone Collection exhibition, Baltimore Museum of Art, 2001
In celebration of The Cone Collection’s 50th anniversary, The Baltimore Museum of Art unveiled completely redesigned galleries housing this famed collection of post-Impressionist and modern art on Sunday, April 22, 2001. The new galleries focus on the Museum’s incomparable holdings by the French master Henri Matisse and provide a breathtaking look at more than 100 paintings, sculptures, and works on paper by many of the world’s most important artists. The two-year project includes expanding exhibition space by 45 percent, creating eight thematic galleries, including a Focus Exhibition Gallery for the display of changing exhibitions and an Interpretive Gallery with a virtual walk-through of the Cone Sisters’ Baltimore apartments. More of the Collection will be on display—including many works never before seen by the public
Heroes, Legends, and Martyrs: Images on European and American Toiles exhibition, Baltimore Museum of Art, November 22, 2000 – June 10, 2001
Printed fabrics in simple color combinations -- typically red, blue or black on a white ground -- toiles are more than charming dry goods. These popular fabrics, originally produced in the French town of Jouy in the 18th century, have always been vehicles of cultural celebration. The crisp copperplate motifs shown here celebrate everything from the marriage of Charles I of England and his French wife, Henrietta Maria, to Dwight D. Eisenhower's military career, a pattern designed for Schumacher by the general's decorator, Elisabeth Draper. Made of the latter toile, a day dress owned by Ike's beloved Mamie stars in a concurrent exhibition, ''Power, Politics and Style: Art for the Presidents.'' Nov. 22 through June 10
Nadar/Warhol: Paris/NewYork exhibition, Baltimore Museum of Art, March 12 – May 28, 2000
Nadar/Warhol, which catalogues an exhibition held at the J. Paul Getty Museum, Los Angeles, The Andy Warhol Museum, Pittsburgh, and The Baltimore Museum of Fine Arts, presents nearly a hundred photographic portraits of such nineteenth-century figures as George Sand, Alexandre Dumas, Victor Hugo, Jean-Francois Millet, and Sarah Bernhardt and such twentieth-century celebrities as Edie Sedgwick, Mick Jagger, Truman Capote, Jane Fonda, Robert Mapplethorpe, and Liza Minnelli
Joyce J. Scott Kickin' It with the Old Masters exhibition, installation in progress, Baltimore Museum of Art, January 23 – May 21, 2000
Photographs documenting the installation of Joyce J. Scott's "Kickin' It with the Old Masters" exhibition
Power, Politics & Style: Art for the Presidents exhibition, Baltimore Museum of Art, September 24, 2000 – January 7, 2001
Power, Politics and Style, is the name of a pre-election exhibition at the Baltimore Museum of Art. The show focuses on how presidents used paintings furnishings, china, and fashions to convey their values and messages to the nation
The Triumph of French Painting exhibition, Baltimore Museum of Art, March 12 – July 16, 2000
The city of Baltimore boasts some of the most impressive collections of 19th- and early 20th-century French art to be found in the United States. Together, its two premier art institutions -- The Baltimore Museum of Art and the Walters Art Gallery -- house a collection which charts the development of French painting from early 19th-century Neoclassicism to early 20th-century Post-Impressionism, which heralded the onset of Cubism and other modern art movements. This collaborative exhibition presents the finest examples of French art from both institutions and covers every major artistic movement and school of the 19th century
James Welling: Photographs 1974-1999 exhibition, Baltimore Museum of Art, September 10 – December 10, 2000
Exhibition held at Wexner Center for the Arts, Columbus, May 6 - August 13, 2000, at Baltimore Museum of Art, September 10 - December 10, 2000, and at Museum of Contemporary Art, Los Angeles, May 6 - August 26, 2001